Inniskilling Fusiliers

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The Inniskilling Fusiliers in regimental military art prints by military artists Brian Palmer, Richard Simkin and Harry Payne of the Inniskilling Fusiliers from the Battle of Waterloo to the reign of Queen Victoria. Military prints published by Cranston Fine Arts.

 The regiment is composed of two battalions with very different histories. The 1st, the old 27th Foot, dates from 1689; the 2nd, the late 108th, was the 3rd Madras Europeans before it was amalgamated with the home army, and was third of its name, two other "108th" having existed between 1761 and 1763, and from 1797 to 1798.

The 27th Inniskillings was the result of a combination of three battalions of Foot raised for the defence of the town of Inniskilling in the Irish war, and took part also in the battles of Aughrim, the Boyne, and Limerick.  It was transferred to Scotland in 1715 to meet the Jacobite rising, and embarked for the West Indies and Carthagena in 1741, when it lost 591 men out of 600.  By this time its direct connection with Ireland had ceased.  Its name had already , as far back as 1702, been the 27th Inniskillings, and in 1744 it was ordered to recruit from Yorkshire.  A greater change can hardly be imagined.

From 1756 to 1757 it served in America and the West Indies, being present at the affair of Ticonderoga and Crown Point, in Canada, in Nova Scotia, Martinique, Grenada, and Havannah; but after a short return home it took part in the greater War of Independence, and shared in the battles of Brooklyn, White Plains, and Germanstown.  During the rest of its service in the West up to 1785 it was present at the capture of St Lucia, the first name in the regimental battle roll, at Granada, and St Eustatia.

Under the Duke of York in 1792 it formed part of the army of Flanders, saw service at Nieuwport, Nimeguen, and Guildermalsen, was transferred to the West Indies under Abercromby, and again distinguished itself at St Lucia.  In 1796, when the place fell, the victorious general, in appreciation of the valour of the Inniskillings, ordered that the French garrison "should lay down their arms to the 27th, and that their king's colour should fly from the flagstaff of Fort Morne Fortunee (the citadel of St Lucia) for one hour before the Union Jack was hoisted in its place.  Returning home in 1787 it again came under the Duke of York's command in Holland, at Bergen, Egmont-op-Zee, and Alkmaar; after which it served at Quiberon, Ferrol, and Cadiz.  Later on it was at the siege of Alexandria (earning the badge of "Egypt" with the Sphinx, the second name on the colours), in Naples, Sicily, and Calabria (where it did good work at Maida, the third name on the colours), on the east coast of Spain in 1811, and at Bordeaux in 1814.

Transferred to Canada, it took part in the expedition to Plattsburgh, and then reinforced the army at New Orleans; returning to Europe in time to add "Waterloo" to the list of honours.  For its services in the Kaffir War of 1835 (its gallant and arduous defence of its camp in Natal against the insurgent Boers) was also added "South Africa, 1835", and for the Second Kaffir War "South Africa, 1841 - 47" to its battle-roll.  Lastly, for its work in India (during the Mutiny), on its way to which country it was wrecked in the Charlotte off Port Elizabeth, with the loss of ninety-eight souls - men, women, and children - it added the last of its titles, "Central India", to a most honourable record.  But the "Old Inniskillings" records the work of other battalions than the 1st, which the previous brief story marks.  a 2nd battalion was formed in 1800, and served at Quiberon, Ferrol, and Cadiz, and also at Aboukir Bay and Alexandria; but it disappeared after the Peace of Amiens.  Another 2nd battalion was formed on the outbreak of hostilities, did duty in Naples and Calabria, and finally served in Spain.  It was disbanded in 1816.  A 3rd battalion was raised in 1805 in Ireland; but, curiously enough, was embodied in Scotland.  It embarked for the Peninsula in 1808, joined Wellington the next year, and distinguished itself at Albuhera, Badajoz, Salamanca, Vittoria, St Sebastian, the Bidassoa, the Pyrenees, the Nivelle, Orthes, and Toulouse.  It also shared in the campaign of Canada, and was disbanded in 1816.

The present 2nd battalion served under the East India Company as the "3rd Madras Europeans", which did good service in Central India during the Mutiny.  The regiment is the only one in service that carries the "old Irish warpipes".  The badges are "Egypt" with the Sphinx, the Castle of Innsikilling with St George's colour flying, and the word "Inniskilling", and the white horse of Hanover with "Nec aspera terrent".

The affiliated militia battalions are the Fermanagh, which formerly had the motto "Ut prodie", and has headquarters at Enniskillen; the Royal Tyrone, the oldest Fusilier Militia battalion, with headquarters at Omagh; and the Donegal (Lifford).  Being an Irish regiment, there are no Volunteer battalions attached to it.  The names of the "Old Munster" and the "Limps" seem to have been applied to the 2nd battalion rather than to the 1st, which apparently has had no special nicknames.  The depot is at Omagh. Extract from "The British Army and Auxiliary Forces" Colonel C. Cooper King, R.M.A. , 1894

The 1st Royal Dragoons by G Douglas Giles (P)

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Original chromolithograph published 1880. £70.00

The 1st Royal Dragoons by G Douglas Giles (P)

Original chromolithograph published 1880. Image size 9 inches x 6 inches (23cm x 15cm). Price £70.00

ITEM CODE UN0507

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Royal Inniskilling Fusiliers by Harry Payne.

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Open edition print. £14.00

Royal Inniskilling Fusiliers by Harry Payne.

Open edition print. Image size 7 inches x 12 inches (18cm x 31cm). Price £14.00

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Royal Inniskilling Fusiliers by Richard Simkin.

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Open edition print. £14.00
Original chromolithograph, published c.1888. £140.00

Royal Inniskilling Fusiliers by Richard Simkin.

Open edition print. Image size 9 inches x 12 inches (23cm x 31cm). Price £14.00


Original chromolithograph, published c.1888. Image size 10 inches x 13 inches (25cm x 33cm). Price £140.00

ITEM CODE UN0273

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Grenadier, 27th Foot 1751 by P H Smitherman

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One available. £24.00

Grenadier, 27th Foot 1751 by P H Smitherman

In 1751 David Morier, a Swiss artist, produced a series of paintings showing a grenadier of each infantry regiment for the Duke of Cumberland, and this series, together with the Clothing Warrant of 1751, gives us a very clear picture of the dress of the army then. The details of this image are taken from one of these paintings, showing a grenadier typical of that time. The elaborate lace is very striking, and the wings on the shoulders are peculiar to grenadiers, as is the one shoulder strap on the the left shoulder to accommodate the strap of the pouch. Wings were also worn by bandsmen - and they have retained them to the present day - as were mitre caps similar in cut to those of the grenadiers but ornamented with devices of drums and flags instead of the royal cipher or ancient badge of the regiment. The end of this mans ring bayonet is seen under the coat, mounted on a frog with his basket-hilted sword. Swords were retained by the grenadiers after they had been given up by the other privates of the regiment, but had ceased to be worn by about 1790. It will be noted that the cut of the coat is loose. It is sometimes said that the Duke of Cumberland made the clothing of the British soldier tight in imitation of Frederick the Greats Prussians. In fact he did not do so, and it is doubtful whether even Frederick made his men wear tight clothes on campaigns, although he certainly, at the end of his reign, made them wear tight clothes on parade. In the British army it was laid down that all red cloth had to be washed and shrunk before it was made up into coats. This did rather spoil the appearance of the new coats, and colonels did sometimes induce contractors to make up coats without shrinking the cloth. If they became wet they could shrink and become very tight. The personal unpopularity of the Duke of Cumberland led to considerable denigration of his work for the organisation and administration of the army, which was badly needed and well carried out. The 27th (Inniskilling) Regiment of Foot was raised in 1689, and was one of the regiments permitted, with the Six Old Corps, to display its ancient badge, on its grenadier caps. The regiment is better known as the Royal Inniskilling Fusiliers, and it still displays the castle an name on its appointments.

One available. Image size 14 inches x 10 inches (36cm x 25cm). Price £24.00

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The 27th Foot  (Inniskilling) at Waterloo by Brian Palmer   Heroically standing their ground against the French Artillery the 27th were described after the battle as lying dead in a square.

 Royal Inniskilling Fusiliers by Harry Payne

Grenadier, 27th Foot 1751 by P H Smitherman In 1751 David Morier, a Swiss artist, produced a series of paintings showing a grenadier of each infantry regiment for the Duke of Cumberland, and this series, together with the Clothing Warrant of 1751, gives us a very clear picture of the dress of the army then.  The details of this image are taken from one of these paintings, showing a grenadier typical of that time.  The elaborate lace is very striking, and the wings on the shoulders are peculiar to grenadiers, as is the one shoulder strap on the the left shoulder to accommodate the strap of the pouch.  Wings were also worn by bandsmen - and they have retained them to the present day - as were mitre caps similar in cut to those of the grenadiers but ornamented with devices of drums and flags instead of the royal cipher or ancient badge of the regiment.  The end of this mans ring bayonet is seen under the coat, mounted on a frog with his basket-hilted sword.  Swords were retained by the grenadiers after they had been given up by the other privates of the regiment, but had ceased to be worn by about 1790.  It will be noted that the cut of the coat is loose.  It is sometimes said that the Duke of Cumberland made the clothing of the British soldier tight in imitation of Frederick the Greats Prussians.  In fact he did not do so, and it is doubtful whether even Frederick made his men wear tight clothes on campaigns, although he certainly, at the end of his reign, made them wear tight clothes on parade.  In the British army it was laid down that all red cloth had to be washed and shrunk before it was made up into coats.  This did rather spoil the appearance of the new coats, and colonels did sometimes induce contractors to make up coats without shrinking the cloth.  If they became wet they could shrink and become very tight.  The personal unpopularity of the Duke of Cumberland led to considerable denigration of his work for the organisation and administration of the army, which was badly needed and well carried out.  The 27th (Inniskilling) Regiment of Foot was raised in 1689, and was one of the regiments permitted, with the Six Old Corps, to display its ancient badge, on its grenadier caps.  The regiment is better known as the Royal Inniskilling Fusiliers, and it still displays the castle an name on its appointments.
 

 

SHOWCASE PRODUCT

EDITIONS

Signed limited edition of 500 prints. Price : £110

ARTIST
Nicolas Trudgian



Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!

You can see more prints by Nicolas Trudgian by clicking here.

Back From Normandy by Nicolas Trudgian

Normandy Special - £50 off until July 12th!

Like the Messerschmitt 109, its great adversary throughout almost six years of aerial combat, the Spitfire was a fighter par excellence. Good as many other types may have been, these two aircraft became symbols of the two opposing air forces they represented. Their confrontation, which began in 1940 during the Battle of Britain, continued without interruption until the last days of World War Two. From an air force teetering on extinction in the dark days of 1940, by the summer of 1944 the pilots of RAF Fighter Command had fought their way back to become top dogs. And when the invasion of northern France came, they swept over the beaches in force, cutting deep into enemy occupied territory, hammering the enemy in the air and on the ground. Key to this air superiority was the supreme performance of the Spitfire, its ability to out-fly the Luftwaffes best, and the wily leadership of the pilots who had survived the early air battles of the war. Among the best was 26 year old Pete Brothers, by 1944 a highly successful and experienced fighter pilot commanding his own Wing. Having fought through the battles of France and Britain, now with a clutch of air victories to his credit, in 1944 he took command of first the Exeter Wing, and then the Culinhead Wing, ideally placed to support the coming invasion of Normandy. Nick Trudgians striking painting recreates a typical scene as Mk IX Spitfires of 126 Squadron, led by Wing Commander Pete Brothers flying his Mk V11 Spitfire wearing high altitude paint scheme, race back to base at RAF Culinhead after a low-level attack on enemy transport in Normandy. The Culinhead Spitfire Wing flew constant armed Rhubarb attacks in support of the invasion from D-Day - June 6 1944 - till the first improvised strips were established in France a few weeks following the invasion. This beautiful aviation print, contrasting the frenetic pace of war with a restful English coastal landscape, evokes the memory of a legendary fighter aircraft that, flown by gallant pilots, helped change the course of history. Prints are signed by Pete Brothers and two other pilots who flew Spitfires in combat during World War II.

Signed by Air Commodore Peter Brothers CBE, DSO, DFC* (deceased),
Lieutenant General Avi Baron M Donnet CVO DFC FRAeS
and
Squadron Leader Arthur Leigh DFC, DFM.

DETAIL IMAGES





EXTRAS

As a special treat for collectors of Nicolas Trudgian's work, and aviation art collectors in general, we have made this print available for a limited time - until 12th July - with £50 off the usual price.

You can see more great deals on Normandy related prints by clicking here.

Don't forget this print is signed by :
Air Commodore Peter Brothers CBE, DSO, DFC* (deceased),
Lieutenant General Avi Baron M Donnet CVO DFC FRAeS
and
Squadron Leader Arthur Leigh DFC, DFM.

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