Inniskilling Fusiliers

Home ] Up ] [ Inniskilling Fusiliers ] Royal Ulster Rifles ] Royal Irish Fusiliers ]

Google
 
Web www.regimental-art.com

The Inniskilling Fusiliers in regimental military art prints by military artists Brian Palmer, Richard Simkin and Harry Payne of the Inniskilling Fusiliers from the Battle of Waterloo to the reign of Queen Victoria. Military prints published by Cranston Fine Arts.

 The regiment is composed of two battalions with very different histories. The 1st, the old 27th Foot, dates from 1689; the 2nd, the late 108th, was the 3rd Madras Europeans before it was amalgamated with the home army, and was third of its name, two other "108th" having existed between 1761 and 1763, and from 1797 to 1798.

The 27th Inniskillings was the result of a combination of three battalions of Foot raised for the defence of the town of Inniskilling in the Irish war, and took part also in the battles of Aughrim, the Boyne, and Limerick.  It was transferred to Scotland in 1715 to meet the Jacobite rising, and embarked for the West Indies and Carthagena in 1741, when it lost 591 men out of 600.  By this time its direct connection with Ireland had ceased.  Its name had already , as far back as 1702, been the 27th Inniskillings, and in 1744 it was ordered to recruit from Yorkshire.  A greater change can hardly be imagined.

From 1756 to 1757 it served in America and the West Indies, being present at the affair of Ticonderoga and Crown Point, in Canada, in Nova Scotia, Martinique, Grenada, and Havannah; but after a short return home it took part in the greater War of Independence, and shared in the battles of Brooklyn, White Plains, and Germanstown.  During the rest of its service in the West up to 1785 it was present at the capture of St Lucia, the first name in the regimental battle roll, at Granada, and St Eustatia.

Under the Duke of York in 1792 it formed part of the army of Flanders, saw service at Nieuwport, Nimeguen, and Guildermalsen, was transferred to the West Indies under Abercromby, and again distinguished itself at St Lucia.  In 1796, when the place fell, the victorious general, in appreciation of the valour of the Inniskillings, ordered that the French garrison "should lay down their arms to the 27th, and that their king's colour should fly from the flagstaff of Fort Morne Fortunee (the citadel of St Lucia) for one hour before the Union Jack was hoisted in its place.  Returning home in 1787 it again came under the Duke of York's command in Holland, at Bergen, Egmont-op-Zee, and Alkmaar; after which it served at Quiberon, Ferrol, and Cadiz.  Later on it was at the siege of Alexandria (earning the badge of "Egypt" with the Sphinx, the second name on the colours), in Naples, Sicily, and Calabria (where it did good work at Maida, the third name on the colours), on the east coast of Spain in 1811, and at Bordeaux in 1814.

Transferred to Canada, it took part in the expedition to Plattsburgh, and then reinforced the army at New Orleans; returning to Europe in time to add "Waterloo" to the list of honours.  For its services in the Kaffir War of 1835 (its gallant and arduous defence of its camp in Natal against the insurgent Boers) was also added "South Africa, 1835", and for the Second Kaffir War "South Africa, 1841 - 47" to its battle-roll.  Lastly, for its work in India (during the Mutiny), on its way to which country it was wrecked in the Charlotte off Port Elizabeth, with the loss of ninety-eight souls - men, women, and children - it added the last of its titles, "Central India", to a most honourable record.  But the "Old Inniskillings" records the work of other battalions than the 1st, which the previous brief story marks.  a 2nd battalion was formed in 1800, and served at Quiberon, Ferrol, and Cadiz, and also at Aboukir Bay and Alexandria; but it disappeared after the Peace of Amiens.  Another 2nd battalion was formed on the outbreak of hostilities, did duty in Naples and Calabria, and finally served in Spain.  It was disbanded in 1816.  A 3rd battalion was raised in 1805 in Ireland; but, curiously enough, was embodied in Scotland.  It embarked for the Peninsula in 1808, joined Wellington the next year, and distinguished itself at Albuhera, Badajoz, Salamanca, Vittoria, St Sebastian, the Bidassoa, the Pyrenees, the Nivelle, Orthes, and Toulouse.  It also shared in the campaign of Canada, and was disbanded in 1816.

The present 2nd battalion served under the East India Company as the "3rd Madras Europeans", which did good service in Central India during the Mutiny.  The regiment is the only one in service that carries the "old Irish warpipes".  The badges are "Egypt" with the Sphinx, the Castle of Innsikilling with St George's colour flying, and the word "Inniskilling", and the white horse of Hanover with "Nec aspera terrent".

The affiliated militia battalions are the Fermanagh, which formerly had the motto "Ut prodie", and has headquarters at Enniskillen; the Royal Tyrone, the oldest Fusilier Militia battalion, with headquarters at Omagh; and the Donegal (Lifford).  Being an Irish regiment, there are no Volunteer battalions attached to it.  The names of the "Old Munster" and the "Limps" seem to have been applied to the 2nd battalion rather than to the 1st, which apparently has had no special nicknames.  The depot is at Omagh. Extract from "The British Army and Auxiliary Forces" Colonel C. Cooper King, R.M.A. , 1894

The 1st Royal Dragoons by G Douglas Giles (P)

Ready to purchase from our secure site?
Click the editions below.

Original chromolithograph published 1880. £70.00
Reccomended Items :

Quartet by Gerald Coulson. (C)

Item Price : £80

Tribute to the 617 Sqn Dambusters Crew of Lancaster AJ-M by David Pentland.

Item Price : £80

The 1st Royal Dragoons by G Douglas Giles (P)

Original chromolithograph published 1880. Image size 9 inches x 6 inches (23cm x 15cm). Price £70.00

ITEM CODE UN0507

Royal Inniskilling Fusiliers by Harry Payne.

Ready to purchase from our secure site?
Click the editions below.

Open edition print. £14.00
Reccomended Items :

Crossing the Helmand by David Pentland.

Item Price : £85

On Finals for Christmas by Keith Woodcock. (B)

Item Price : £38

Royal Inniskilling Fusiliers by Harry Payne.

Open edition print. Image size 7 inches x 12 inches (18cm x 31cm). Price £14.00

ITEM CODE UN0025

Royal Inniskilling Fusiliers by Richard Simkin.

Ready to purchase from our secure site?
Click the editions below.

Open edition print. £14.00
Original chromolithograph, published c.1888. £140.00
Reccomended Items :

The Hard Way Home by Robert Taylor.

Item Price : £200

Ambush at Kardalan Fields, 18th January 2007 by David Rowlands.

Item Price : £70

Royal Inniskilling Fusiliers by Richard Simkin.

Open edition print. Image size 9 inches x 12 inches (23cm x 31cm). Price £14.00


Original chromolithograph, published c.1888. Image size 10 inches x 13 inches (25cm x 33cm). Price £140.00

ITEM CODE UN0273

Grenadier, 27th Foot 1751 by P H Smitherman

Ready to purchase from our secure site?
Click the editions below.

One available. £24.00
Reccomended Items :

McRoberts Reply by Geoff Lea. (B)

Item Price : £62

Golden Arrow by Terence Cuneo.

Item Price : £150

Grenadier, 27th Foot 1751 by P H Smitherman

In 1751 David Morier, a Swiss artist, produced a series of paintings showing a grenadier of each infantry regiment for the Duke of Cumberland, and this series, together with the Clothing Warrant of 1751, gives us a very clear picture of the dress of the army then. The details of this image are taken from one of these paintings, showing a grenadier typical of that time. The elaborate lace is very striking, and the wings on the shoulders are peculiar to grenadiers, as is the one shoulder strap on the the left shoulder to accommodate the strap of the pouch. Wings were also worn by bandsmen - and they have retained them to the present day - as were mitre caps similar in cut to those of the grenadiers but ornamented with devices of drums and flags instead of the royal cipher or ancient badge of the regiment. The end of this mans ring bayonet is seen under the coat, mounted on a frog with his basket-hilted sword. Swords were retained by the grenadiers after they had been given up by the other privates of the regiment, but had ceased to be worn by about 1790. It will be noted that the cut of the coat is loose. It is sometimes said that the Duke of Cumberland made the clothing of the British soldier tight in imitation of Frederick the Greats Prussians. In fact he did not do so, and it is doubtful whether even Frederick made his men wear tight clothes on campaigns, although he certainly, at the end of his reign, made them wear tight clothes on parade. In the British army it was laid down that all red cloth had to be washed and shrunk before it was made up into coats. This did rather spoil the appearance of the new coats, and colonels did sometimes induce contractors to make up coats without shrinking the cloth. If they became wet they could shrink and become very tight. The personal unpopularity of the Duke of Cumberland led to considerable denigration of his work for the organisation and administration of the army, which was badly needed and well carried out. The 27th (Inniskilling) Regiment of Foot was raised in 1689, and was one of the regiments permitted, with the Six Old Corps, to display its ancient badge, on its grenadier caps. The regiment is better known as the Royal Inniskilling Fusiliers, and it still displays the castle an name on its appointments.

One available. Image size 14 inches x 10 inches (36cm x 25cm). Price £24.00

ITEM CODE PHS0013

 
The 27th Foot  (Inniskilling) at Waterloo by Brian Palmer   Heroically standing their ground against the French Artillery the 27th were described after the battle as lying dead in a square.

 Royal Inniskilling Fusiliers by Harry Payne

Grenadier, 27th Foot 1751 by P H Smitherman In 1751 David Morier, a Swiss artist, produced a series of paintings showing a grenadier of each infantry regiment for the Duke of Cumberland, and this series, together with the Clothing Warrant of 1751, gives us a very clear picture of the dress of the army then.  The details of this image are taken from one of these paintings, showing a grenadier typical of that time.  The elaborate lace is very striking, and the wings on the shoulders are peculiar to grenadiers, as is the one shoulder strap on the the left shoulder to accommodate the strap of the pouch.  Wings were also worn by bandsmen - and they have retained them to the present day - as were mitre caps similar in cut to those of the grenadiers but ornamented with devices of drums and flags instead of the royal cipher or ancient badge of the regiment.  The end of this mans ring bayonet is seen under the coat, mounted on a frog with his basket-hilted sword.  Swords were retained by the grenadiers after they had been given up by the other privates of the regiment, but had ceased to be worn by about 1790.  It will be noted that the cut of the coat is loose.  It is sometimes said that the Duke of Cumberland made the clothing of the British soldier tight in imitation of Frederick the Greats Prussians.  In fact he did not do so, and it is doubtful whether even Frederick made his men wear tight clothes on campaigns, although he certainly, at the end of his reign, made them wear tight clothes on parade.  In the British army it was laid down that all red cloth had to be washed and shrunk before it was made up into coats.  This did rather spoil the appearance of the new coats, and colonels did sometimes induce contractors to make up coats without shrinking the cloth.  If they became wet they could shrink and become very tight.  The personal unpopularity of the Duke of Cumberland led to considerable denigration of his work for the organisation and administration of the army, which was badly needed and well carried out.  The 27th (Inniskilling) Regiment of Foot was raised in 1689, and was one of the regiments permitted, with the Six Old Corps, to display its ancient badge, on its grenadier caps.  The regiment is better known as the Royal Inniskilling Fusiliers, and it still displays the castle an name on its appointments.
 

 

SHOWCASE PRODUCT

EDITIONS

Siberian Snow by Jonathon Truss Price : £40

Bengal Tiger by Anthony Gibbs. Price : £59

Junior by Lyndsey Selley Price : £83

Evening Glare by Anthony Gibbs Price : £106

Twice the Stripes by Jonathon Truss. Price : £40

ARTIST
Featured Artist - Anthony Gibbs



Anthony Gibbs was born in 1951 in Birmingham. He went to Bourneville School of Art for one year, but is mostly self-taught. His first one man show was in 1976 at the Colmore Galleries, with further one man exhibitions at this venue following, in 1977, 1978, 1981, 1983, 1988 and 1991. Anthony Gibbs had a one man exhibition Nature In Art at Wallsworth Hall, Gloucestershire in 2000. His first limited edition print released February 1988 - White Tigers Ever Watchful – was an edition of 1550, the largest edition of a limited print by Solomon and Whitehead at the time, and the largest order from the from the USA (650) they have ever had. He went to Kenya for the first time in February 1989, and is a member of the Society of Animal Artists in New York, The Woodland Trust. He won the Peoples Choice Award on a national tour exhibition of the USA in 1992 and 1993, with the Society of Animal Artists. Anthony Gibbs was awarded the Award of Excellence Medal from the Society in 1997 and 2001. He has exhibited at numerous venues across the USA with the Society of Animal Artists and also across Britain – exhibitions including the Mall Galleries, Nature In Art, Wildfowl And Wetlands Trust, London. He has sold work through both Christies and Sotherbys. Anthony Gibbs went to the Yellowstone National Park and Tetons National Park to study the wildlife and habitat in the U.S.A. in 2003.

Spotlight on Wildlife Artists

A newly available selection of superb wildlife art from some of the best known wildlife artists around.

A large variety of wildlife prints are now available from artists including Jonathon Truss, Anthony Gibbs and Lyndsey Selley. These prints are available at a discount price for a short time only, and some are on the verge of selling out. See the best of the prints by clicking the links or see more wildlife art at our website devoted to the subject : ArtAndPrints.co.uk

Jonathon TrussAnthony GibbsLyndsey Selly


DETAIL IMAGES





EXTRAS

More Items from our database

Four medieval military prints.



Opening the Cherkassy Pocket by David Pentland.



Four Roman history prints.



See more about Phantom Fury by Robert Taylor at Robert Taylor Prints.com
See more Chris Collingwood art at ChrisCollingwoodPrints.com

This website is owned by Cranston Fine Arts.  Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE

Contact: Tel: (+44) (0) 1436 820269.  Fax: (+44) (0) 1436 820473. Email:

More sites :     www.worldnavalships.com   www.nicolastrudgianprints.com   www.markchurms.co.uk     www.armynavyairforce.co.uk    www.roberttaylorprints.com