Kings Own Borderers

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Military art prints and Scottish regimental military uniform prints showing the King's Own Scottish Borderers in military paintings of battle scenes by Douglas Anderson, Richard Simkin, Richard Caton Woodville and Harry Payne.

Raised in 1689 under the name of Earl Leven's Regiment becoming the 25th of Foot in 1751.

The Victoria cross has been won by six member's of the regiment. The first being awarded to Lt G H B Coulson DSO (1879 -1901) during the Boer war at Lambrechtfontein. 18th may 1901. posthumously awarded. Four being also awarded during   World War One and One during The Korean War

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Borderers in Town by Alan Herriot

The Kings Own Scottish Borderers, marching along Princess Street Edinburgh on the 11th of August each year to celebrate Minden day.

Signed Limited edition of 500. Image size 25 inches x 17 inches (64cm x 43cm). Price £140.00


Limited edition of 50 artist proofs. Image size 25 inches x 17 inches (64cm x 43cm). Price £180.00


Limited edition of 50 giclee canvas prints. Size 30 inches x 24 inches (76cm x 61cm). Price £460.00

ITEM CODE HERR0001

1 Discount Two-Print Pack Available on These Editions, Including :

Buy With :
The Tragedy of Ulster 1976 by Terence Cuneo.
for £560

Save £70 !

1st Battalion Kings Owns Scottish Borderers. The Derryard Action, Co Fermanagh, December 13th 1989 by David Rowlands (GL)

Limited edition of 200 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm). Price £500.00


Limited edition of 200 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £390.00

ITEM CODE DHM9025

Kings Own Scottish Borderers by Richard Simkin

Ready to purchase from our secure site?
Click the editions below.

Open edition print. £14.00
Original chromolithograph. £140.00
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Kings Own Scottish Borderers by Richard Simkin

Open edition print. Image size 9 inches x 12 inches (23cm x 31cm). Price £14.00


Original chromolithograph. Image size 10 inches x 13 inches. One copy available.. Price £140.00

ITEM CODE UN0251

The 25th Kings Own Scottish Borderers by G Douglas Giles  (P)

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Original chromolithograph published 1880. £70.00
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The 25th Kings Own Scottish Borderers by G Douglas Giles  (P)

Original chromolithograph published 1880. Image size 9 inches x 6 inches (23cm x 15cm). Price £70.00

ITEM CODE UN0480

Raising the Regiment - The Kings Own Scottish Borderers. March 1689  by Terence Cuneo

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Click the editions below.

One copy available in good condition. £380.00
One copy available in fair condition. £160.00
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Raising the Regiment - The Kings Own Scottish Borderers. March 1689 by Terence Cuneo

Originally the 25th Foot, the regiment was raised in Edinburgh on 18th March 1689 by David Leslie, 3rd Earl of Leven, for the defence of the city against the Jacobites during the Glorious Revolution that brought William of Orange to England. Records show that the regiment was completely recruited to a strength of 1,000 men within the space of two hours. They were soon required for active service and at the battle of Killiecrankie underwent their baptism of fire against the rebel Highlanders led by Claverhouse. Recognition of the fighting spirit of Levens Edinburgh Regiment came at once in the spontaneous conferment on it, by the Provost of Edinburgh, of the exclusive privilege to recruit by beat of drum in the city on any day, except Sunday, without first asking the permission of the Lord Provost. A further privilege was conferred later, which remains to this day, of marching through the City of Edinburgh with bayonets fixed and Colours flying. In 1782 the historic title of The Edinburgh Regiment was dropped and that of The Sussex Regiment adopted. King George III honoured the regiment in 1805 by raising it to the status of a Royal Regiment and changing its title to The Kings Own Borderers. The change of title to the Kings Own Scottish Borderers was officially approved in 1887, during the reign of Queen Victoria. Cuneo has depicted the scene at Holyrood Abbey at nightfall on 18th March 1689 when 1,000 men answered the call to arms. The Earl of Leven and the Muster Master watch from horseback while the clerk lists the men and issues the first days pay. The yellow ribbon on the arm of the recruit was issued as a mark of recognition until uniform could be provided.

One copy available in good condition. . Price £380.00


One copy available in fair condition. . Price £160.00

ITEM CODE TC0004

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Corporal wheeler dragging a wounded cyclist scout into the shelter of a ditch under the enemys fire.

On October 17th 1915, corporal Harold Ernest Wheeler, of the 2nd Kings Own Scottish Borderers, had just ridden with a patrol, consisting of a Lance Corporal and ten men of the 5th Divisional Cyclist Company, into the village of Lorgies in anticipation that it had been evacuated by the enemy, when, to their surprise, the Germans opened fire in them from some houses. Corporal wheeler thereupon ordered the patrol to retire, but after going a short distance he saw that one of the men had been hit and was lying in the roadway. Going back at great risk to he, dragged the wounded man into the shelter of a ditch by the roadside and the rejoined the rest of the patrol.

First World War antique black and white book plate published c.1916-18 of glorious acts of heroism during the Great War. This plate may also have text on the reverse side which does not affect the framed side. Title and text describing the event beneath image as shown. Paper size 10.5 inches x 8.5 inches (27cm x 22cm). Price £13.00

ITEM CODE DTE0476

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Lance-Corporal M. Parker Holding Turks At Bay In A Mine Gallery.

The emergency in which Lance- Corporal Parker, of the 5th Kings Own Scottish Borderers, proved his prowess was as unexpected as formidable. Parker and his men was on the Gallipoli Peninsula on the 14th September 1915, constructing under the Turkish trenches a mine gallery, which suddenly broke into a hostile gallery. A weird subterranean contest then began. Parker held off the Turks with his rifle though they fired on him and threw bombs at him. Then he was driven out by fumes, but returned and filled up the breach so that a charge might be laid and the enemy’s works destroyed. He was awarded the D.C.M.

First World War antique black and white book plate published c.1916-18 of glorious acts of heroism during the Great War. This plate may also have text on the reverse side which does not affect the framed side. Title and text describing the event beneath image as shown. Paper size 10.5 inches x 8.5 inches (27cm x 22cm). Price £13.00

ITEM CODE DTE0008

Sergeant Major, 25th Foot 1768 by P H Smitherman

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Click the editions below.

One available. £24.00
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Sergeant Major, 25th Foot 1768 by P H Smitherman

Most of the pictures and portraits upon which we rely for information depict officers or privates, sometimes sergeants, but very rarely sergeant-majors. The details of this print come from a contemporary water-colour of several members of the regiment, of whom one is the sergeant-major. his uniform, with its silver lace and smart cut, resembles that of an officer, as it would today. The arrangement of the brim of the hat is worthy of notice. We have seen it develop from earlier pictures to the tricorne shape. Now the front cock has almost disappeared and it is beginning to resemble the modern version of the cocked hat, worn, for instance, by the quartermasters of the Foot Guards. A turned-down collar rather similar to this is shown on the coats of several privates of the Foot Guards depicted in the Blenheim Tapestries, but it was a fashion which must have been very short lived then, because there is no sign of it subsequently until about this date when it was worn almost universally for a few years. The turned-back skirts of the coat have become stylised and less clumsy, and the cuff ahs a slash with four buttons. Oddly enough, in the picture on which this image is based, only the sergeant-major and drummers are shown with slashes, the rest of the regiment having plain buttoned cuffs. This is explained by the fact that the uniform of the sergeant-major, as that of the drummers, was decided by the commanding officer, and possibly bought by him too, so that it would conform more to his wishes than to regulations. The familiar sergeant-majors stick calls for no comment. The 25th Regiment, now the Kings Own Scottish Borderers, was raised in Edinburgh in 1688.

One available. Image size 14 inches x 10 inches (36cm x 25cm). Price £24.00

ITEM CODE PHS0015

 

Borderers in Town by Alan Herriot   The Kings Own Scottish Borderers, marching along Princess Street Edinburgh on the 11th of August each year to celebrate Minden day

 1st Battalion Kings Owns Scottish Borderers. The Derryard Action, Co Fermanagh, December 13th 1989 by David Rowlands

Raising the Regiment - The Kings Own Scottish Borderers. March 1689  by Terence Cuneo Originally the 25th Foot, the regiment was raised in Edinburgh on 18th March 1689 by David Leslie, 3rd Earl of Leven, for the defence of the city against the Jacobites during the 'Glorious Revolution' that brought William of Orange to England. Records show that the regiment was completely recruited to a strength of 1,000 men within the space of two hours.  They were soon required for active service and at the battle of Killiecrankie underwent their baptism of fire against the rebel Highlanders led by Claverhouse. Recognition of the fighting spirit of Leven's Edinburgh Regiment came at once in the spontaneous conferment on it, by the Provost of Edinburgh, of the exclusive privilege to recruit by beat of drum in the city on any day, except Sunday, without first asking the permission of the Lord Provost. A further privilege was conferred later, which remains to this day, of marching through the City of Edinburgh with bayonets fixed and Colours flying.   In 1782 the historic title of The Edinburgh Regiment was dropped and that of The Sussex Regiment adopted. King George III honoured the regiment in 1805 by raising it to the status of a Royal Regiment and changing its title to The King's Own Borderers. The change of title to the King's Own Scottish Borderers was officially approved in 1887, during the reign of Queen Victoria.  Cuneo has depicted the scene at Holyrood Abbey at nightfall on 18th March 1689 when 1,000 men answered the call to arms. The Earl of Leven and the Muster Master watch from horseback while the clerk lists the men and issues the first days pay. The yellow ribbon on the arm of the recruit was issued as a mark of recognition until uniform could be provided.

Corporal wheeler dragging a wounded cyclist scout into the shelter of a ditch under the enemys fire.   On October 17th 1915, corporal Harold Ernest Wheeler, of the 2nd Kings Own Scottish Borderers, had just ridden with a patrol, consisting of a Lance Corporal and ten men of the 5th Divisional Cyclist Company, into the village of Lorgies in anticipation that it had been evacuated by the enemy, when, to their surprise, the Germans opened fire in them from some houses.  Corporal wheeler thereupon ordered the patrol to retire, but after going a short distance he saw that one of the men had been hit and was lying in the roadway.  Going back at great risk to he, dragged the wounded man into the shelter of a ditch by the roadside and the rejoined the rest of the patrol.

Lance-Corporal M. Parker Holding Turks At Bay In A Mine Gallery. The emergency in which Lance- Corporal Parker, of the 5th Kings Own Scottish Borderers, proved his prowess was as unexpected as formidable.  Parker and his men was on the Gallipoli Peninsula on the 14th September 1915, constructing under the Turkish trenches a mine gallery, which suddenly broke into a hostile gallery.  A weird subterranean contest then began.  Parker held off the Turks with his rifle though they fired on him and threw bombs at him.  Then he was driven out by fumes, but returned and filled up the breach so that a charge might be laid and the enemy’s works destroyed.  He was awarded the D.C.M.

Sergeant Major, 25th Foot 1768 by P H Smitherman  Most of the pictures and portraits upon which we rely for information depict officers or privates, sometimes sergeants, but very rarely sergeant-majors.  The details of this print come from a contemporary water-colour of several members of the regiment, of whom one is the sergeant-major.  his uniform, with its silver lace and smart cut, resembles that of an officer, as it would today.  The arrangement of the brim of the hat is worthy of notice.  We have seen it develop from earlier pictures to the tricorne shape.  Now the front cock has almost disappeared and it is beginning to resemble the modern version of the cocked hat, worn, for instance, by the quartermasters of the Foot Guards.  A turned-down collar rather similar to this is shown on the coats of several privates of the Foot Guards depicted in the Blenheim Tapestries, but it was a fashion which must have been very short lived then, because there is no sign of it subsequently until about this date when it was worn almost universally for a few years.  The turned-back skirts of the coat have become stylised and less clumsy, and the cuff ahs a slash with four buttons.  Oddly enough, in the picture on which this image is based, only the sergeant-major and drummers are shown with slashes, the rest of the regiment having plain buttoned cuffs.  This is explained by the fact that the uniform of the sergeant-major, as that of the drummers, was decided by the commanding officer, and possibly bought by him too, so that it would conform more to his wishes than to regulations.  The familiar sergeant-majors stick calls for no comment.  The 25th Regiment, now the Kings Own Scottish Borderers, was raised in Edinburgh in 1688.
 

 

SHOWCASE PRODUCT

EDITIONS

Special Offer Pack of All Four Prints Price : £420

Merlin Roar by Anthony Saunders Price : £80

Hurricane Patrol by Graeme Lothian Price : £150

Holding the Line - The Battle of Britain by Nicolas Trudgian Price : £150

Front Line Hurricanes by Robert Taylor Price : £220

ARTIST
Featured Artist - Robert Taylor



The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

Battle of Britain Hurricane Signature Prints



Save £180 on this specially selected pack of Battle of Britain Hurricane aviation art prints. All four prints for £420, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Merlin Roar by Anthony Saunders,
Hurricane Patrol by Graeme Lothian,
Holding the Line - The Battle of Britain by Nicolas Trudgian
and
Front Line Hurricanes by Robert Taylor.

In all, the prints have 12 different signatures of pilots and aircrew related to Hurricanes during the Battle of Britain.

In particular, Front Line Hurricanes by Robert Taylor features 6 signatures of now sadly deceased pilots - some of them a rarity in print signings.

Click the 'Special Offer Pack' Edition to order.

DETAIL IMAGES





EXTRAS

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