Manchester Regiment

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Regimental art prints of the Manchester Regiment published by Cranston Fine Arts by military artist Harry Payne, depicting military uniforms of the Manchester Regiment.

A West Suffolk regiment-the 63rd-had for its linked battalion the 96th; and these were combined as the Manchester Regiment in 1881.  The first-mentioned was originally a 2nd battalion to the 8th, and became independent under its late number in 1758, receiving the county name of “West Suffolk” in 1782.  “General Wolfe’s Regiment,” as it had been once called, first came under fire in the expedition to the West Indies in 1759, when Martinique, Guadaloupe, Grenadam St. Lucia, St. Vincent, and many other islands, such as Defeada and Santos, were captured.  It returned home after these exploits, but was sent back to take part in the war of Independence, fighting at Bunker’s Hill, Brooklyn, Brandywine, Fort Clinton, New Jersey, Charleston, Hobkirk’s Hill, and Eutaw Springs.

           Men were heavily weighted in those days.  Those of the 63rd twice “returned to the charge, in the middle of a hot summer’s day, encumbered with three days’ provisions, their knapsacks on their backs, which, together with cartouche box, ammunition, and firelock, may be estimated at 125lb. Weight.  Many of the men, too, served as Mounted Infantry, under Colonel Tarleton, one of the most enterprising of the “partisan” leaders in the war; and they behaved with conspicuous gallantry at the affair of Sherar’s Ferry in 1780.           In 1794 the regiment served in Holland, and fought at Nimeguen, but returned to the West Indies in the following year, sharing in Sir Ralph Abercromby’s expedition 1796, and in the defence of Honduras in 1798; after which it came home reduced to only 150 men.  Recruited to full strength, it again served under Abercromby in the Holland campaign, seeing much hard fighting at the Helder, Zuyp, Schagerburg, Bergen-op-Zoom, and Egmont-op-Zee.

           The expedition to Ferrol gave the regiment its next employment, and during the operations Sergeant-Major Nugent was promoted for gallantry in having disarmed and made prisoners two Spanish sentries.  But its West Indian services were not yet completed.  After the capture of Madeira in 1807, it again assisted in the capture of Martinique two years later-when the articles of surrender were signed by Major O’Rourke of the 63rd-and at Guadaloupe, St. Martin, and St. Eustatia; but on the outbreak of hostilities again in 1815, the 63rd for  the third time shared in the capture of Guadaloupe, when “the eagles and standards of the French” were surrendered, and Captain Lynch with the light company covered the landing at Bailiffe, and checked the advance of three hundred French soldiers, who had been sent to oppose the debarkation.  In 1819 the regiment came home, and, after general service on various stations, it was sent to Burmah in 1838, and suffered loss in the fighting at Moulmein. 

           In the Crimean campaign the 63rd was present at the Alma, Inkerman, and through out the whole siege of Sevastopol, losing altogether 947 off all ranks during the war.  In the Afghan War it joined the 2nd division of the Kandahar force, but was not present in any of the more important actions.  From India it was transferred to Egypt in 1882.           The 63rd had a 2nd battalion from 1804 to 1814, but this saw no active service.           The 96th was recruited in Manchester in 1824 and was preceded by five of the same number-viz, the first, which served from 1760 to 1763; the second, from 1780 to 1783; the third, from 1793 to 1798; the fourth, formed from a 2nd battalion of the 52nd, and numbered the 96th in 1803, but disbanded as the 95th in 1818; and the fifth, raised in 1798 as the “Queen’s Germans,” was called the 97th in 1802, and disappeared as the 96th (“Queen’s Own”) in 1818.  The last saw service in Egypt in1801, and in the Peninsula.  It bore the name of the “British Musketeers,” and from it comes the Sphinx badge, and the words “Egypt” and “Peninsula,” which appear on the appointments, etc.           The work of the present battalion, as far as active service goes, began in 1844, when a detachment-the rest of the regiment being in New South Wales-was sent to New Zealand, and fought at Kororarika and Stokes Pah.  In 1881, as the 2nd battalion of the Manchester Regiment, it was sent to Egypt, and formed part of the garrison of Alexandria during the operations which led to the battle of Tel-el-Kebirand the fall of Cairo.  Since then it has seen no active service.

           The badge of the “Fleur-de0lys,” formerly worn by the 63rd, is supposed to have been bestowed in commemoration of its long and brilliant services in the West Indies against the French; but its use was forbidden in 1856 “because written authority sanctioning its wear could no be found.”  The coatee was replaced in that year by the tunic, and it was certainly worn before that date on the former by the officers and sergeant-major.  It is scarcely likely it would have been used without permission, and some might well have been granted; but the only record disappeared when the regimental baggage was lost at Helvoetsluys in 1795.  The green facings of the 63rd and the yellow of the 96th were altered to white in 1881.  Those of the 63rd had been first black, then very deep green (1768), with white and green lace, and deep green with silver lace in 1813.  Gold lace was worn after 1832.  The badges are the arms of the city of Manchester, and the Sphinx with “Egypt,” which was worn by the 96th, but can only have been derived from the regiment that was disbanded in 1818; an eight-pointed star, however, bearing the number, was once the decoration of the buttons and breast-plate of the 63rd.  The star was worn in remembrance of its good work under Tarleton from 1775 to 1781.  The button now bear the Garterand its motto, and within it the Sphinx and “Egypt,” crowned.  The Sphinx also appears on the collar on an eight-pointed star, on the waist-plate with the name of the regiment, and on the forage-cap.  The helmet-plate bears the arms of the city of Manchester.

           The 6th Royal Lancashire Militia, raised in 1855, furnishes the 3rd and 4th battalions.  The volunteer battalions are the 4th Lancashire, Manchester (green and scarlet); the 6th Lancashire, Manchester (scarlet and yellow); the 7th Lancashire, Ashton-under-Lyne (scarlet and white); the 16th Lancashire, Manchester (scarlet and white); the 20th Lancashire, Ardwick (green and scarlet); and the 22nd Lancashire Oldham (scarlet and white).      The 63rd once had the name of the “Bloodsuckers.”             The depot was at Ashton-under-Lyne

Capture of a German Battery by Richard Caton Woodville.

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Restricted print run. £42.00
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Bluebell Walk by David Dipnall.

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Capture of a German Battery by Richard Caton Woodville.

German 77mm battery captured by C Company, 2nd Battalion the Manchester Regiment, 2nd April 1917 at Francilly Selency. The attacks on Francilly-Selency would prove costly and difficult to the attacking British forces. The Germans had dug in well. But the Manchester Regiments 2nd battalion, attacking from Roupy just beyond Savy village, towards the large hill which would later be called Manchester Hill, captured the German 77nn Gun battery. The Manchester Regiment would again be on the attack on the 14th of April at Fayet and would go on to the trenches of the Hindenburg line at Gricourt road, San Quentin.

Restricted print run. Image size 25 inches x 19 inches (64cm x 48cm). Price £42.00

ITEM CODE DHM0445

Manchester Regiment by Harry Payne.

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Open edition print. £14.00
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The Charge of the Red Lancers on Mercers Troop of Royal Horse Artillery by Chris Collingwood.

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Manchester Regiment by Harry Payne.

Open edition print. Image sze 7 inches x 12 inches (18cm x 31cm). Price £14.00

ITEM CODE UN0008

The Manchester Regiment by Richard Caton Woodville.

Ready to purchase from our secure site?
Click the editions below.

Open edition print. £14.00
Original coloured print circa 1911. £80.00
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The Charge of the Red Lancers on Mercers Troop of Royal Horse Artillery by Chris Collingwood.

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Freedom Fighters by Simon Smith. (B)

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The Manchester Regiment by Richard Caton Woodville.

Open edition print. Image size 8 inches x 12 inches (20cm x 31cm). Price £14.00


Original coloured print circa 1911. . Price £80.00

ITEM CODE UN0382

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A German Officer And Fourteen Of His Men Cry For Mercy To Lieutenant Leach.

Section by section the trench was recaptured, and driven back until they could go no further, the Germans decided to surrender. Lieutenant Leach (2nd Battalion, Manchester Regiment) was surprised to hear a voice calling in English Dont shoot sir! The speaker was one of his own men who had been captured in the morning. He had come from a German officer to say he wished to surrender. On going round the corner of the traverse Lieutenant Leach came upon the officer and fourteen of his men, who kneeling, raised their hands and begged for mercy. For their conspicuous bravery Lieutenant Leach and Sergeant Hogan were both deservedly awarded the V.C.

First World War antique black and white book plate published c.1916-18 of glorious acts of heroism during the Great War. This plate may also have text on the reverse side which does not affect the framed side. Title and text describing the event beneath image as shown. Paper size 10.5 inches x 8.5 inches (27cm x 22cm). Price £13.00

ITEM CODE DTE0755

The Manchester Regiment (63rd and 96th foot) by Richard Simkin.

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Special edition of 25 reprints. £18.00
Original chromolithograph. £130.00
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The Manchester Regiment (63rd and 96th foot) by Richard Simkin.

Printed on high quality 300gsm German etching stock. Only 25 copies of this superb quality reprint are available.

Special edition of 25 reprints. Paper and Image size 12 inches x 9 inches (31cm x 23cm). Price £18.00


Original chromolithograph. Image size 10 inches x 13 inches (25cm x 33cm). Price £130.00

ITEM CODE AU0092

 

Capture of a German Battery by Richard Caton Woodville  German 77mm battery captured by C Company, 2nd Battalion the Manchester Regiment, 2nd April 1917 at Francilly Selency. The attacks on Francilly-Selency would prove costly and difficult to the attacking British forces. The Germans had dug in well.  But  the Manchester regiment's 2nd battalion, attacking from Roupy just beyond Savy village. towards the large hill which would later be called Manchester Hill.  captured  the German 77nn Gun battery.  The Manchester regiment would again be on the attack on the  14th April  at Fayet.  and would go on to the trenches of the Hindenburg line at Gricourt road, san Quentin

  A German Officer And Fourteen Of His Men Cry For Mercy To Lieutenant Leach.           Section by section the trench was recaptured, and driven back until they could go no further, the Germans decided to surrender.  Lieutenant Leach (2nd Battalion, Manchester Regiment) was surprised to hear a voice calling in English Dont shoot sir!  The speaker was one of his own men who had been captured in the morning.  He had come from a German officer to say he wished to surrender.  On going round the corner of the traverse Lieutenant Leach came upon the officer and fourteen of his men, who kneeling, raised their hands and begged for mercy.  For their conspicuous bravery Lieutenant Leach and Sergeant Hogan were both deservedly awarded the V.C.

 

 

SHOWCASE PRODUCT

EDITIONS

Special Offer Pack of All Four Prints Price : £420

At the Setting of the Sun by Simon Atack Price : £105

Close Encounter by Ivan Berryman Price : £145

In Them We Trust by Ivan Berryman Price : £135

Fighter General by Graeme Lothian Price : £200

ARTIST
Featured Artist - Graeme Lothian



Graeme Lothian is an artist whose ability has seen him apply his talent to many different subjects - military, aviation, naval and landscape art. Having spent time in the army, taking on adventures such as parachuting, firing bazookas and making an attempt to climb Mount Everest, the discipline he has obtained from his experiences has been key to allowing him to take on his first love - painting - full time. Graeme first took on painting full-time by producing paintings of WW2 aircraft, such as Spitfires and Messerschmitts, but over his career in art, now spanning over two decades, has also produced many military and naval pieces too. More recently, he has undertaken a masive project of painting the River Thames, from its source, through London and beyond, producing over 50 paintings in this series, as well as a book. Graeme Lothian describes himself as a landscape painter. The paintings may have a Tiger, Steam Train, Spitfire or Kentish Oasts in them, but they're still landscapes. Graeme started painting in 1978 in oils, a medium he has stayed with since then. Joining the Parachute Regiment and Airborne Forces at the beginning of the 1980s, a parachuting accident curtailed his career and he returned to his first love - art. In the early 90s he formed a partnership with the late great Air Vice-Marshal Johnnie Johnson CB CBE DSO(two bars) DFC(bar) the top scoring Allied fighter pilot of WWII. Embarking on a career as an aviation artist, travelling all over Britain and Europe obtaining the signatures for his prints. Personally meeting the most famous aviators and top aces of both sides of the last war. Graemes first book An Artist on the Thames came out in 2004. His second, An Artist in London, which has taken 5 years to complete, is due to be published at the beginning of 2010. In between, he printed an Everest painting carrying the signatures of Sir Edmund Hillary and Sir Chris Bonnington. Graeme had solo exhibitions in 1981, 1989 in Sydney, Australia, 2007, 2008. In 2009, Graeme was one of only 56 other artists to exhibit at the internationally acclaimed and prestigious BP Portrait Awards at the National Portrait Gallery, London. In 2010 he is to go to Afghanistan as a war artist, one of only a select few to visit the war zone. He is being hosted by various units in the Helmand Province and Kandahar. Born in Sri Lanka, Graeme has painted all over the world including Europe, Australia, New Zealand, Nepal, India and most recently Oman and Jordan. His originals hang all over the world and to date has had over 80 limited edition art prints published.

Battle of Britain Signature Prints



Save £165 on this specially selected pack of Battle of Britain aviation art prints. All four prints for £420, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

At the Setting of the Sun by Simon Atack,
Close Encounter by Ivan Berryman,
In Them We Trust by Ivan Berryman
and
Fighter General by Graeme Lothian.

In all, the prints have 13 different signatures of pilots and aircrew from both British and German sides of the Battle of Britain.

Graeme Lothian's Fighter General features some of the most popular and sought after German Battle of Britain pilot signatures.

Click the 'Special Offer Pack' Edition to order.

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