Royal Irish Fusiliers

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The Royal Irish Fusiliers in regimental military art prints by military artists Richard Simkin and Harry Payne of the Royal Irish Fusiliers from the Battle of Waterloo to the reign of Queen Victoria. Military prints published by Cranston Fine Arts.

This regiment is built up, in the territorial system, of the late 87th Royal Irish Fusiliers and the 89th Princess Victoria's Regiment, both of which were raised in 1793.  The 1st battalion served in Holland in 1794-95, and was made prisoner at Bergen-op-Zoom; proceeding in 1796 with Sir Ralph Abercromby to the capture of Trinidad and the expedition to Porto Rico.  It assisted at the capture of Mauritius in 1810, and in the Nepaul war of 1816, taking part also in the first Burmese war at the Prome, Metloon, and Moulmein.

During the Mutiny its chief duty was keeping in check the possible mutineers about Peshawur, and in the disagreeable duty of the punishment of the captured prisoners by blowing them from the guns; but it saw no further service until the year 1882, when it joined Major-General Graham's brigade at Kassassin, and took part in the battle of Tel-el-Kebir.

Its services have given the names of "Monte Video", "Egypt, 1882", and "Tel-el-Kebir" to the list of regimental honours.  To these a 2nd battalion of the 87th, raised in 1804, and abolished in 1817, added the Peninsula record, serving from 1809 to 1814 under Sir Arthur Wellesley.  It behaved gallantly at Talavera and Barrosa; at Tarifa, where the pipes and drums played "St Patrick's Day" and Garryowen" during the fight; at Vittoria, Nivelle, Orthes, and Toulouse, which names and "Peninsula" it added to the list on the colours; but it was also present at Aranjuez, Puerto Largo, Pampeluna, St Jean de Luz, Vio Bigorre, and the last sortie from Bayonne.  For all this the regiment was granted the badge of the imperial French eagle, with the laurel above the harp and crown, as well as the Prince's plume.

The name had been several times altered.  Up to 1811 it was the 87th, or the "Prince of Wales' Irish Regiment"; the "Prince of Wales' Own Irish Regiment of Fusiliers" in 1827; but in the same year it became the "87th, or Royal Irish Fusiliers", when the facings were made blue instead of green, until the present title was granted.

The present 2nd battalion (the old 89th) began with black facings, and had two predecessors - the "Gordon Highlanders" from 1751 to 1765, and another which existed from 1780 to 1783.  It has added to the official battle-roll the name of "Egypt" with the Sphinx, 1802; Java in 1811, where half the battalion was clad in rifle-green; Niagara in 1813 (when a 2nd battalion, which lived from 1803 to 1816, fought at "Chrysler's Farm" as well); Ava, 1824,; and the Crimea, for its service in 1854 - 55.  But it had seen much and varied service in Holland, in 1794, at Boxtel, Tiet, andSchener; in Ireland in 1798, at Vinegar Hill; in Holland again in 1805; at Issapoor, Tecconnah, and Toomgee; at Koaree, Ryghur, Indapore, and Raree; in Kaffraria in 1856; and in India in 1857, at Varaghur, Jhansi, etc., and with the Seronge Field Force.

The title "Princess Victoria's Regiment" was granted in 1866, in commemoration of the fact that Her Majesty had twice presented colours to the regiment; and this remained until the territorial system of 1881, when it was first named the "2nd Battalion Royal Irish Fusiliers" (Princess Victoria's); but a few months later it received its present name.  On its way back from India, after nearly fourteen years' absence from England, it was stopped at Aden to form part of Sir Gerald Graham's force in the Eastern Soudan.  Brigaded under Sir Redvers Buller, it was engaged at El Teb, in the occupation of Tokar, and at Tamai.  The old 89th, therefore, added the last name to the illustrious battle-roll - that of "Egypt" - in 1884.

The badges are the grenade bearing the laurelled eagle, with the figure "S" below, which is worn on the button and collar; but the second badge is the monogram of H.R.H. the Princess Victoria, passing through a coronet, and surmounted by the Sphinx over "Egypt".  On the forage cap appears in combination the Prince of Wales' plume and the harp crowned. The territorial regiment is completed by the Armagh Militia (Armagh), the Cavan Militia (Cavan), and the Monaghan Militia (Monaghan), but there are no Volunteer battalions.  The 1st battalion had the nickname of the "Old Fogs", or the "Faugh-a-Ballagh Boys", from their war cry, which translated means "Clear the way"; also the "Aiglers" or "Eagle-takers", from the eagle captured at Barrosa from the French.  The 2nd battalion got the name of "Blayney's Bloodhounds"' from the colonel who commanded them in 1798, and who was notorious for discovering the dispersed rebels.  It also had the title of the "Rollickers".  The depot is at Armagh.

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87th Regiment at the Battle of Vitoria by Brian Palmer.

The 87th Regiment defend the walls against the French 13th Dragoons as they charge by during the Battle of Vitoria.

Signed limited edition of 1150 prints. Image size 17 inches x 12 inches (43cm x 31cm). Price £70.00


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Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £460.00


Original painting by Brian Palmer. Image size 30 inches x 20 inches (76cm x 51cm). Price £2500.00


**Signed limited edition of 1150 prints. (One copy reduced to clear) Image size 17 inches x 12 inches (43cm x 31cm). Price £46.00

ITEM CODE DHM3101

Royal Irish Fusiliers by Harry Payne.

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Open edition print. £14.00
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ITEM CODE UN0022

The Royal Irish Fusiliers by Richard Simkin

Ready to purchase from our secure site?
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Open edition print. £14.00
Original chromolithograph, published c.1888. £150.00
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The Royal Irish Fusiliers by Richard Simkin

Open edition print. Image size 9 inches x 12 inches (23cm x 31cm). Price £14.00


Original chromolithograph, published c.1888. Image size 10 inches x 13 inches (25cm x 33cm). Price £150.00

ITEM CODE UN0281

2 Discount Two-Print Packs and
1 Discount Multi-Print Pack
Available on These Editions, Including :

Buy With :
Irish Regiments in the British Army by Richard Simkin.
for £50

Save £19 !

Buy With :
Listed for the Connaught Rangers by Lady Elizabeth Butler.
for £78

Save £10 !

My Brave Irish by Richard Caton Woodville

The last charge on Pieters Hill, 27th February 1900 by the 2nd Irish Fusiliers, assisted by the 2nd Royal Dublin Fusiliers.

Open edition print. Image size 17 inches x 12 inches (43cm x 31cm). Price £37.00


Limited edition of 200 giclee paper prints, on high quality art paper board, with printed signature and remarque. Image size 25 inches x 15 inches (64cm x 38cm). Price £135.00


Limited edition of 200 black and white giclee paper prints, on high quality art paper board, with printed signature and remarque. Image size 25 inches x 15 inches (54cm x 38cm). Price £135.00


**Open edition print. (One copy reduced to clear) Image size 17 inches x 12 inches (43cm x 31cm). Price £22.00

ITEM CODE DHM0961

The 87th Princess Victorias (Royal Irish Fusiliers) by G Douglas Giles (P)

Ready to purchase from our secure site?
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Original chromolithograph published 1880. £70.00
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The 87th Princess Victorias (Royal Irish Fusiliers) by G Douglas Giles (P)

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ITEM CODE UN0497

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Temporary Lieutenant G. ST. G. S. Cather Bringing In A Wounded Man In Full View Of The Enemy And Under Machine Gun And Artillery Fire.

From early in the evening till midnight Temporary Lieutenant Geoffrey St. George Shillington Cather, of the Royal Irish Fusiliers, searched No mans land and brought in three wounded men. Next morning at 8 a.m. he continued his search, brought in another wounded man, and gave water to others, arranging for their rescue later. Finally at 10.30 a.m. he took out water to another man, and was proceeding further on when he was himself killed. All this was carried out in full view of the enemy, and under direct machine gun fire and intermittent artillery fire. He set a splendid example of courage and self-sacrifice, and was posthumously awarded the V.C.

First World War antique black and white book plate published c.1916-18 of glorious acts of heroism during the Great War. This plate may also have text on the reverse side which does not affect the framed side. Title and text describing the event beneath image as shown. Paper size 10.5 inches x 8.5 inches (27cm x 22cm). Price £13.00

ITEM CODE DTE0764

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Company-Sergeant-Major Glover Signals The Order To Cease Firing On The Retreating Bombers.

So terrible had been the effect of the artillery bombardment and the mine explosions that nearly the whole British line had been driven from its trenches, and soon Glover and his men (2nd Royal Irish Fusiliers) were almost surrounded. Standing in the trench with his hand raised, whilst high explosive shells burst all around shaking the ground as if convulsed by an earthquake, Glover signalled to his men to cease firing on the retreating bombers that they might husband their ammunition. He then stationed men to defend the trench on a new front, and four or five were told off to fire from the extreme right of the original front, which was defended by the remaining men. Though compelled to defend themselves against attacks from every side, the little party stood their ground with indomitable gift and courage until. The splendid services of Sergeant-Major Glover were rewarded with the D.C.M. and the Medaille Militaire of France was also conferred upon him.

First World War antique black and white book plate published c.1916-18 of glorious acts of heroism during the Great War. This plate may also have text on the reverse side which does not affect the framed side. Title and text describing the event beneath image as shown. Paper size 10.5 inches x 8.5 inches (27cm x 22cm). Price £13.00

ITEM CODE DTE0126

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Officer of the 87th (or Royal Irish) Fusiliers by L Mansion and St. Eschauzier (P)

Reprint published by Connoisseur Publishing Co. 1909 of the original uniform plate published by Spooner 1830-40 from the series of 70 plates entitled Military & Naval Costumes by L Mansion and L Eschauzier, coloured by Martin C Bowen. Image size 8 inches x 6.5 inches. Paper size 11 inches x 8 inches.. Price £25.00

ITEM CODE ANT0163

 
87th Regiment at the Battle of Vitoria by Brian Palmer The 87th Regiment defend the walls against the French 13th Dragoons as they charge by during the Battle of Vitoria. Please note. you can spell Vitoria with one or two T's. We have on this print spelt it with one.)

Royal Irish Fusiliers by Harry Payne 

My Brave Irish by Caton Woodville   The last charge on Pieters Hill, 27th February 1900 by the 2nd Irish Fusiliers, assisted by the 2nd Royal Dublin Fusiliers.

Temporary Lieutenant G. ST. G. S. Cather Bringing In A Wounded Man In Full View Of The Enemy And Under Machine Gun And Artillery Fire.     From early in the evening till midnight Temporary Lieutenant Geoffrey St. George Shillington Cather, of the Royal Irish Fusiliers, searched No mans land and brought in three wounded men.  Next morning at 8 a.m. he continued his search, brought in another wounded man, and gave water to others, arranging for their rescue later.  Finally at 10.30 a.m. he took out water to another man, and was proceeding further on when he was himself killed.  All this was carried out in full view of the enemy, and under direct machine gun fire and intermittent artillery fire.  He set a splendid example of courage and self-sacrifice, and was posthumously awarded the V.C.

Company-Sergeant-Major Glover Signals The Order To Cease Firing On The Retreating Bombers.   So terrible had been the effect of the artillery bombardment and the mine explosions that nearly the whole British line had been driven from its trenches, and soon Glover and his men (2nd Royal Irish Fusiliers) were almost surrounded.  Standing in the trench with his hand raised, whilst high explosive shells burst all around shaking the ground as if convulsed by an earthquake, Glover signalled to his men to cease firing on the retreating bombers that they might husband their ammunition.  He then stationed men to defend the trench on a new front, and four or five were told off to fire from the extreme right of the original front, which was defended by the remaining men.  Though compelled to defend themselves against attacks from every side, the little party stood their ground with indomitable gift and courage until.  The splendid services of Sergeant-Major Glover were rewarded with the D.C.M. and the Medaille Militaire of France was also conferred upon him.

 

 

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EDITIONS

Special Offer Pack of All Four Prints Price : £420

Merlin Roar by Anthony Saunders Price : £80

Hurricane Patrol by Graeme Lothian Price : £150

Holding the Line - The Battle of Britain by Nicolas Trudgian Price : £150

Front Line Hurricanes by Robert Taylor Price : £220

ARTIST
Featured Artist - Robert Taylor



The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

Battle of Britain Hurricane Signature Prints



Save £180 on this specially selected pack of Battle of Britain Hurricane aviation art prints. All four prints for £420, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Merlin Roar by Anthony Saunders,
Hurricane Patrol by Graeme Lothian,
Holding the Line - The Battle of Britain by Nicolas Trudgian
and
Front Line Hurricanes by Robert Taylor.

In all, the prints have 12 different signatures of pilots and aircrew related to Hurricanes during the Battle of Britain.

In particular, Front Line Hurricanes by Robert Taylor features 6 signatures of now sadly deceased pilots - some of them a rarity in print signings.

Click the 'Special Offer Pack' Edition to order.

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