Royal Norfolk Reg

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Military Art Prints of the Royal Norfolk Regiment, Now part of the Royal Anglian Regiment/ The Norfolk regiment is shown Uniform Military Prints by Harry Payne.

THE ROYAL NORFOLK REGIMENT  The Regiment was formed as Cornwell's Regiment in 1785, becoming the 9th of foot in 1751, and becoming the Royal Norfolk Regiment in 1935. Amalgamating with the Suffolk regiment in 1959 as the 1st East Anglian regiment.

REGIMENTAL BATTLE HONOURS.

1756 - 1763  Belleisle, Havannah during the Seven Years War

1793 - 1802  Martinique During the French Revolutionary Wars

1808 - 1814  Rolica, Vimiera, Corunna, Busaco, Salamnca, Vittoria, San Sebastian, Nive, during the Peninsula War

1839 - 1842  Cabool during the First Afghan War

1845 - 1846  Moodkee, Ferozeshah, Sobraon during the First Sikh War

1854 - 1855  Sebastopol, during the Crimean War

1878 - 1880  Kabul , Second Afghan war

1899 - 1902,  Paardeburg, during the Boer war

1914 - 1918, Mons, Le Cateaux, Marne 1914,  Ypres 1914, 1915, 1917, 1918, Somme,1916, 1918, Hindenburg Line, Sulva, Gaza, Shaiba, Kut al Amara 1915, 1917.

1939 - 1945, St Omer-La Bassee, Normandy, Brieux Bridgehead, Venraij, Rhineland, Singapore, Kohima, Aradura, Burma 1944 -45.

1950 -1953  Korean war

VICTORIA CROSS AWARDS.  Six members from the regiment received Victoria Cross's. One during World war One, and Five during World War Two.

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The 9th Regiment, at the Battle of Freemans Farm, September 19th 1777 by Brian Palmer

Taking over command of the British Northern Army in 1777, Lt Gen Burgoyne began a march to Albany to join forces with Lt Gen Sir William Howe. After taking Fort Ticonderoga on route he learned that Howe was leaving for Pennsylvania. Becoming desperately short on supplies he decided to press on the Albany regardless but found the road blocked by a Continental army under Maj Gen Horatio Gates. Burgoyne decided not to engage the enemys position frontally but to turn their left at Freemans Farm. After a day of fierce fighting the British held the field but at a heavy price in casualties. On the 7th October the Colonial army, after receiving continual reinforcements attacked Howes position (the battle became known as Bemis Heights) and he was forced to retire to Saratoga.

Signed limited edition of 1150 prints. Image size 25 inches x 15 inches (64cm x 38cm). Price £50.00


Limited edition of 50 artist proofs. Image size 25 inches x 15 inches (64cm x 38cm). Price £125.00


Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £460.00


Original painting by Brian Palmer. Image size 30 inches x 20 inches (76cm x 51cm). Price £2100.00

ITEM CODE DHM1352

IXth or East Norfolk Regiment of Infantry by J C Stadler after Charles Hamilton Smith.

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Open edition print. £14.00
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IXth or East Norfolk Regiment of Infantry by J C Stadler after Charles Hamilton Smith.

Modern reprint of the coloured lithograph vignettes by J C Stadler after Charles Hamilton Smith from Charles Hamilton Smiths Costumes of the Army of the British Empire, according to the last regulations 1812, published by Colnaghi & Co. 1812-1815, showing the British uniform of 1812 during the Napoleonic war. Only 800 have been reprinted in 2002.

Open edition print. Image size 9 inches x 11 inches (23cm x 28cm). Price £14.00

ITEM CODE UN0354

Norfolk Regiment by Harry Payne.

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Open edition print. £14.00
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Norfolk Regiment by Harry Payne.

Open edition print. Image size 7 inches x 12 inches (18cm x 31cm). Price £14.00

ITEM CODE UN0028

The Norfolk Regiment (9th Foot) by Richard Simkin (P)

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Original chromolithograph published 1895. £140.00
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The Norfolk Regiment (9th Foot) by Richard Simkin (P)

Original chromolithograph published 1895. Image size 10 inches x 13 inches (25cm x 33cm). Price £140.00

ITEM CODE SIMK0049

Officer, 9th Foot, 1775 by P H Smitherman

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One available. £24.00
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Officer, 9th Foot, 1775 by P H Smitherman

This image is based on a coat in the National Army Museum at Sandhurst. It will be seen that the trends noted earlier have been continued, and the garment shown here is very neat and elegant. The turned-down collar is buttoned on to the lapels, which was the usual practice at this time. The shoulder cords noted in some previous images have now become a fringed strap and have begun to denote rank and function. Officers of grenadier companies, and field officers of all companies, wore an epaulette on each shoulder; officers of battalion companies wore one on the right shoulder only, as this officer is doing. The patterns of epaulettes varied with each regiment, and possibly even varied slightly within the regiment. A portrait exists of an officer of this regiment with a coat exactly like this, but with an epaulette of the same general shape but with its embroidery differing in some respects. The coat and the portrait must be contemporary, so it may be that officers were still allowed a small amount of latitude in their dress. The hat is shown still cocked in the old fashion, which was rapidly disappearing. The manner in which hats were cocked followed the civilian fashion, and we know that it was usual for officers to cock their hats as was fashionable, and that regulations eventually caught up with the fashion. The officer is in undress uniform, and so is wearing silk stockings and shoes. On duty he would have worn boots and black gaiters, a crimson sash round his waist once more but under the coat and over the waistcoat, and a shoulder belt to carry his sword over his right shoulder. He should also have worn a gilt gorget, according to the regulations, but this particular regulation was often ignored. The 48th were raised in 1743 and subsequently became the Royal Berkshire Regiment. Their green facings were changed to white in 1881 and afterwards to blue.

One available. Image size 14 inches x 10 inches (36cm x 25cm). Price £24.00

ITEM CODE PHS0016

 
The 9th Regiment, at the Battle of Freemans Farm, September 19th 1777 by Brian Palmer

Taking over command of the British Northern Army in 1777, Lt Gen Burgoyne began a march to Albany to join forces with Lt Gen Sir William Howe.  After taking Fort Ticonderoga on route he learned that Howe was leaving for Pennsylvania.  Becoming desperately short on supplies he decided to press on the Albany regardless but found the road blocked by a Continental army under Maj Gen Horatio Gates.  Burgoyne decided not to engage the enemys position frontally but to turn their left at Freemans Farm.  After a day of fierce fighting the British held the field but at a heavy price in casualties.  On the 7th October the Colonial army, after receiving continual reinforcements attacked Howes position (the battle became known as Bemis Heights) and he was forced to retire to Saratoga.

IXth or East Norfolk Regiment of Infantry  An Ensign bearing the Regimental Colours and a Colour Sergeant on service.

Officer, 9th Foot, 1775 by P H Smitherman  This image is based on a coat in the National Army Museum at Sandhurst.  It will be seen that the trends noted earlier have been continued, and the garment shown here is very neat and elegant.  The turned-down collar is buttoned on to the lapels, which was the usual practice at this time.  The shoulder cords noted in some previous images have now become a fringed strap and have begun to denote rank and function.  Officers of grenadier companies, and field officers of all companies, wore an epaulette on each shoulder; officers of battalion companies wore one on the right shoulder only, as this officer is doing.  The patterns of epaulettes varied with each regiment, and possibly even varied slightly within the regiment.  A portrait exists of an officer of this regiment with a coat exactly like this, but with an epaulette of the same general shape but with its embroidery differing in some respects.  The coat and the portrait must be contemporary, so it may be that officers were still allowed a small amount of latitude in their dress.  The hat is shown still cocked in the old fashion, which was rapidly disappearing.  The manner in which hats were cocked followed the civilian fashion, and we know that it was usual for officers to cock their hats as was fashionable, and that regulations eventually caught up with the fashion.  The officer is in undress uniform, and so is wearing silk stockings and shoes.  On duty he would have worn boots and black gaiters, a crimson sash round his waist once more but under the coat and over the waistcoat, and a shoulder belt to carry his sword over his right shoulder.  He should also have worn a gilt gorget, according to the regulations, but this particular regulation was often ignored.  The 48th were raised in 1743 and subsequently became the Royal Berkshire Regiment.  Their green facings were changed to white in 1881 and afterwards to blue. 
Regimental Books Available:

The History of the Norfolk Regiment 4th August 1914 to 31st December 1918.  by F Loraine Petre.

The Norfolk Regiment (9th Foot) entered the war with two regular, one reserve and three TF battalions (one of the latter, the 6th, was a cyclist battalion); by the end the number had grown to nineteen of which eight went on active service whose losses in dead numbered 5,576.  The total number of men raised during the war amounted to 32,375.  Seventy battle honours and one VC were awarded, the VC going to Lt Col Sherwood-Kelly while commanding 1st R Inniskilling Fusiliers.  The 1st Battalion (apart from a short spell in Italy with the 5th Division), 7th, 8th, 9th served on the Western Front; the 2nd fought in Mesopotamia only and was captured at Kut al Amara in April 1916; the 4th and 5th were at Gallipoli, in Egypt and in Palestine while what became of the 12th Battalion (converted Norfolk Yeomanry) went to Gallipoli, Egypt, Palestine and finally France and Belgium for the last few months of the war.  In the introduction there is a most useful table showing when and where the 1st, 7th, 8th and 9th Battalions were located on a month by month basis.  The accounts of the doings of several battalions are based mainly on their War Diaries and those of the brigade and division to which they belonged.  To supplement these the author has in some cases had personal reminiscences though not as many as hoped.  Each battalion is dealt with separately apart from the TF 4th and 5th which are taken together while a variety of Appendices contain information such as succession of colonels and COs with biographical notes, roll of honour of officers, uniforms, arms and badges, Colours and Battle Honours and other regimental and traditional items.

To order your copy: secure order form

Paperback Book serial number NMP6013.         454 pages. Price £35

 

Post: UK- £5.00 (max post for multiple books £6.00).

For Europe £8.00 (each plus one charge of £3.00 recorded fee per total shipment)

Rest of World £10.00 (each plus one charge of £3.00 recorded fee per total shipment)

 

 

 

SHOWCASE PRODUCT

EDITIONS

Bloodied but Unbeaten - Chris Collingwood (SAVE £2000) - Price : £13000

Major John Gilmour - Ivan Berryman (SAVE £1000) - Price : £2400

Last Man Out - Mark Churms (SAVE £2500) - Price : £3500

The Final Salvo - Anthony Saunders (SAVE £2000) - Price : £2800

The Battle of the Somme - Jason Askew (SAVE £2000) - Price : £4500

ARTIST
Featured Artist - Chris Collingwood



Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.

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