Somerset Light Infantry

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Military Art prints of The ( Prince Albert's ) Somerset Light Infantry, historical art prints published by Cranston Fine Arts.

  The Prince Albert’s (Somersetshire Light Infantry)-Regimental District No.13-consisting of the famous old 13th Foot, date from 1685, when the threatened invasion by Monmouth induced the king to increase the strength of the army.  At the time of the Revolution the sympathies of the regiment were divided, their Colonel, Lord Huntingdon, remaining loyal to king James, while others of the officers advocated the cause of the Prince of Orange.  When the country had settled down under the new regime the 13th was employed in Scotland, taking part in the operations against Edinburgh and in the battle of Killiecrankie.  On the latter occasion, under Colonel Hastings, they shared with the 25th the praise of being the only regiments that did not behave badly, the commander stating that in the thick of the flight he saw “Hastings on the right sustaining the reputation of the British lion.”  They fought at the Boyne and other Irish battles, and in 1701 commenced the career of Foreign Service in which they have won so great a renown.  They fought at Mineguen and assisted at the sieges of Venloo, St. Michaels, Ruremonde, Liege, and others.  In 1704 Barrymore’s Regiment, as the 13th were then called, were sent to Gibraltar to assist the Prince of Hesse Darmstadt who was defending Gibraltar, and during the siege Major Moncall of the regiment rendered most important service.  A selected party of French Grenadiers forced their way some distance into the defences when Major Moncall led his men to the charge and drove the bold assailants off.  The 13th then served at the siege of Barcelona and the relief of St. Matheo.  Shortly after the bulk of the regiment were, at the instance of Lord Peterborough, converted bodily into dragoons.  The nucleus returned home to recruit, and the following year returned again to Portugal, when they fought most gallantly at Caya.  In 1727 they took part in the defence of Gibraltar, after which they remained comparatively inactive till 1743, when they fought at Dettingen, the first name they bear on their colours.  They suffered heavy loss at Fontenoy, after which they returned home and took part in the engagements with the adherents of Prince Charles Edward.  In 1746 they went abroad, and at Roucoux and Val were distinguished for their “heroic conduct.”  Passing over the intervening years, during which they were not engaged in any war of importance, in 1790 we find the 1st Somersetshire Regiment-to use the title given in 1782-ordered to the West Indies, where, notably at fort Bizzeton, in St.Domingo, they very greatly distinguished themselves.  They returned home “a regimental wreck” in 1796, and after taking part in the suppression of the Irish rebellion went, in 1800, to Egypt.  Here they were brigaded under General Cradock, their own Colonel being Colonel Colville, and at the battle and blockade of Alexandria earned high praise.  Their next fighting of importance was at Martinique, where, as well as at Guadeloupe under General Skinner, they again distinguished themselves.  The 13th were not engaged in any of the Peninsular battles, but in 1813 were ordered to Canada, where they had their full share in what fighting was to be had.  After a few years at home they were ordered, in 1823, to India, and the following year paid a glorious part in the Burmese War.  Most interesting would it be to follow at length the brave deeds, which are commemorated by “Ava,” but a very brief recapitulation of them must perforce save our purpose.  In the capture of the Rangoon Major Sale of the regiment killed the Burmese commander in single combat, and took his gold-hilted sword and scabbard.  When fear leant prudence to the councils of the “Lord of the White Elephant” the European captives were released, but “Major Sale, of the 13th Light Infantry-the future hero of Jellalabad-found Mrs. Hudson, of missionary celebrity, bound to a tree and immediately released her.”

           Throughout the campaign Major-soon afterwards Colonel-Sale was with his brave 13th, foremost wherever fighting was, and almost invariably the same dispatch that recorded his courage added the ominous words, “severely wounded.”  At Melloone the 13th, with the 38th, formed the storming party.  “By these two British regiments, weakened in numbers by war and pestilence to nearly half their proper strength, fifteen thousand well armed men were hunted, in one confused mass, from the strongest works they had ever constructed.”  So fierce and irresistible was the assault that the total casualties of the storming column were only five killed and twenty wounded.  Returning to India, the 13th had a period of repose for twelve years or so, after which their prowess found another opportunity for assertion in the Afghan War of 1829.  Well, indeed, may the regiment glory in the recollection of Jellalabad, and, like their ancestors of Agincourt, “Stand a-tiptoe when that day is named.”

           At Ghuznee they captured two standards.  There were a few of the 13th amongst the unfortunate captives from Cabul; Lady Sale, the wife of their gallant Colonel, was wounded by a musket-ball, and sent back-happily for her-as a hostage; it was Colonel Dennie of the 13th who, when rumours of trouble first came from Cabul, foretold with such terribly literal accuracy the ghastly catastrophe that came to pass: - “You will see that not a soul will escape from Cabul but one man, and he will come to tell us that the rest are all destroyed.”  Meanwhile, at Jellalabad, the gallant Sale and the 13th were stemming the fierce torrent of murder and conquest, and when the time came for the army of Vengeance to start on its righteously stern mission, the command of on the divisions was given to him.  At Jugdulluck, the 13th, with whom were the 9th, “sealed the heights, turned the position, and bayoneted the defenders with dreadful slaughter, neither side asking quarter nor hoping for it.”  At Tizeen, that decisive battle that occupied only a few minutes, and where the might of the British power was indelibly written in grim and blood red letters, the 13th operated in extended order on the right, and the central gorge was passed, “Closed in by companies, fixing their bayonets as they came cheering down the charge.”  When the rescued captives were brought in under an escort led by Sir Robert Sale in person, it is difficult to read without emotion how “the gallant 13th Light Infantry crowded with loud cheers round the wife and widowed daughter” of their beloved chief.  On their return to India, the brave regiment that had fought so splendidly were received everywhere with praise and applause; garrisons presented arms to them as they passed; public and private bodies vied in doing them honour; and they received from the Sovereign the title of her Consort’s regiment, the right to wear the Royal facings, and the special badge of the “Mural Crown.”           Many were the officers of the 13th who distinguished themselves in that Afghan War, and amongst them was one whose name a few years later was on the lips and in the hearts of all his countrymen-Sir Henry Havelock.           The 13th returned to England in 1845, and for a few years enjoyed well-earned repose.  In the Crimean War they were attached to the fourth division, but did not take part in any of three famous battles whose names appear on the colours of the regiments; they bear, however, the comprehensive distinction of “Sevastopol.”  In October 1857, they arrived in India, where they shared in the relief of Azimghur, and “subsequently saw more service in the Jugdespore jungle, and in the Trans-Gogra districts during the years 1858-9.”  After a sojourn at home and in Gibraltar, the Prince Albert’s Light Infantry were ordered to the Cape, and were in the third column of Lord Chelmsford’s army, under Sir Evelyn Wood-subsequently the Flying Column-their own chief being Colonel Victor Gilbert.  At the battle of Kambula, on the 29th of March 1879, they experienced some severe fighting, and greatly distinguished themselves, they and the 90th “Vying with each other in noble rivalry, and beating back the hordes of Zulus upon the two most exposed flanks.”  They fought gallantly at Ulundi, where they unfortunately lost Lieutenant Pardoe, who was mortally wounded, and in July received orders to return to England, their departure effecting the disintegration of the famous Flying Column, which had done such great things.  Since the Zulu War, the only active service in which the Somersetshire have been engaged has been with the Burmah expeditionary force, the details of which are of too recent date to come within the scope of this work.

   THE SOMERSET LIGHT INFANTRY (PRINCE ALBERT'S)  Raised in 1865 as the Earl of Huntingdon's regiment, becoming in 1822 The 13th Light Infantry.

Battle Honours.

1701 - 1715, Gibraltar during the war of Spanish Succession
1740 - 1748 , Dettingen, during the War of the Austrian Succession
1803 - 1815  Martinique during the Napoleonic War
1824 - 1826  Ava during the First Burma War
1839 - 1842  Ghuznee, Affghanistan, Kabul during the first Afghan war
1845 - 1846  Aliwal during the First Sikh War
1854 - 1855  Sebastopol during the Crimean war
1877 - 1879  Zulu and Basuto War
1885 - 1887  Third Burma War
1899 - 1902  Relief of Kimberley during the Boer War
1914 - 1918  Marne 1914, 1918, Aisne, Ypres 1915, 1917,1918, Somme 1916, 1918 Albert 1916, 1918, Arras 1917, 1918, Cambrai 1917, 1918,  Hindenburg Line   and Palastine 1917-18, Tigris 1916.during World War One.
1919   Third Afghan war
1939 - 1945  Hill112,  Monte Pincon,  Rhineland, Rhine, Cassino II, Cosina Canal Crossing, North Arakan, Ngakyedauk pass. 1944, during the Second World War

VICTORIA CROSS AWARDS.Five members of the regiment have been awarded the Victoria Cross:   2 during the Indian Mutiny  one in the Zulu and Basuto War,  One in World war One, and One in World War Two.

2 Discount Two-Print Packs and
1 Discount Multi-Print Pack
Available on These Editions, Including :

Buy With :
Last Stand at Gundamuck by William Barnes Wollen.
for £85

Save £17 !

Buy With :
Rescue of the Wounded by Lady Elizabeth Butler.
for £90

Save £12 !

Remnants of an Army by Lady Elizabeth Butler.

Depicts Dr. William Brydon, an assistant surgeon in the Bengal Army arriving at the gates of Jellabad on his exhausted and dying horse. He was thought to be the sole survivor of some 16,000 strong army and followers from Kabul, which was forced to retreat the 90 miles over snow covered passes to Jellabad during the first Aghan war. A few others eventually struggled through to the fort.

Open edition print. Image size 30 inches x 17 inches (76cm x 43cm). Price £51.00


Original antique black and white Photogravure, published 1890. Size 14 inches x 25 inches (36cm x 64cm). Price £900.00


Rare original hand coloured photogravure, published 1890. Size 14 inches x 25 inches (36cm x 64cm). Price £1000.00


**Open edition print. (2 copies reduced to clear) Image size 30 inches x 17 inches (76cm x 43cm). Price £38.00

ITEM CODE DHM0062

The Battle of Culloden by Richard Simkin.

Ready to purchase from our secure site?
Click the editions below.

Open edition print. £37.00
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Trainbusters by Nicolas Trudgian. (B)

Item Price : £90

The Charge of the Red Lancers on Mercers Troop of Royal Horse Artillery by Chris Collingwood.

Item Price : £95

The Battle of Culloden by Richard Simkin.

The Somerset Light Infantry at the Battle of Culloden during the Jacobite rising of 1745 to 1746.

Open edition print. Image size 16 inches x 12 inches (41cm x 31cm). Price £37.00

ITEM CODE DHM0180

The Somerset Light Infantry (the Prince Alberts) by Richard Simkin

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Open edition print. £14.00
  Original Chromolithograph. £130.00
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The Beach Club by Jonathon Truss.

Item Price : £190

Time to Leave by Ivan Berryman.

Item Price : £75

The Somerset Light Infantry (the Prince Alberts) by Richard Simkin

Open edition print. Image size 9 inches x 12 inches (23cm x 31cm). Price £14.00


  Original Chromolithograph. Image size 10 inches x 13 inches (25cm x 33cm) One copy available.. Price £130.00

ITEM CODE UN0299

Prince Alberts Somerset Light Infantry by Richard Caton Woodville

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Open edition reprint. £14.00
Original chromolithograph, published c.1900. £75.00
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Knockout Blow by Ivan Berryman. (P)

Item Price : £380

Time to Move by Randall Wilson. (B)

Item Price : £145

Prince Alberts Somerset Light Infantry by Richard Caton Woodville

Open edition reprint. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00


Original chromolithograph, published c.1900. Image size 7 inches x 11 inches (18cm x 28cm). Price £75.00

ITEM CODE UN0456

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In the Playground of the Gods by Ivan Berryman. (D)

Item Price : £130

High Patrol by Ivan Berryman. (SM)

Item Price : £12

Sergeant Coxon Shoots Two Of A Party Of Three Germans Who Had Attacked Him During An Attack On Their Trenches.

On the night of December 15th 1915, a British bombing party carried out an attack against the German trenches at Armentieres. After bombing into the trench Sergeant J. W. Coxon of the 8th Battalion Somerset Light Infantry, was attacked by three Germans. He shot two of them and took the third prisoner. He set a fine example to his men and was awarded the D.C.M. for conspicuous gallantry.

First World War antique black and white book plate published c.1916-18 of glorious acts of heroism during the Great War. This plate may also have text on the reverse side which does not affect the framed side. Title and text describing the event beneath image as shown. Paper size 10.5 inches x 8.5 inches (27cm x 22cm). Price £13.00

ITEM CODE DTE0358

 
   Remnants of an Army by Lady Butler  Depicts Dr. William Brydon, an assistant surgeon in the Bengal Army arriving at the gates of Jellabad on his exhausted and dying horse. He was thought to be the sole survivor of some 16,000 strong army and followers from Kabul, which was forced to retreat the 90 miles over snow covered passes to Jellabad during the first Aghan war. A few others eventually struggled through to the fort.  

The Battle of Culloden by Richard Simkin   The Somerset Light Infantry at the Battle of Culloden during the Jacobite rising of 1745 to 1746.

Sergeant Coxon Shoots Two Of A Party Of Three Germans Who Had Attacked Him During An Attack On Their Trenches. On the night of December 15th 1915, a British bombing party carried out an attack against the German trenches at Armentieres.  After bombing into the trench Sergeant J. W. Coxon of the 8th Battalion Somerset Light Infantry, was attacked by three Germans.  He shot two of them and took the third prisoner.  He set a fine example to his men and was awarded the D.C.M. for conspicuous gallantry. 

Regimental Books Available:

The History of the Somerset Light Infantry (Prince Albert's) 1914 - 1919.  by Everard Wyrall (1927)

Record of all battalions of the Som LI in the Great War.

Post: UK- £4.00 (max post for multiple books £6.00).

For Europe £6.00 (each plus one charge of £3.00 recorded fee per total shipment)

Rest of World £8.00 (each plus one charge of £3.00 recorded fee per total shipment)

To order your copy: secure order form

Paperback Book serial number NMP2166.            419 pages. Price £32

 

 

SHOWCASE PRODUCT

EDITIONS

Special Offer Pack of All Four Prints Price : £420

Merlin Roar by Anthony Saunders Price : £80

Hurricane Patrol by Graeme Lothian Price : £150

Holding the Line - The Battle of Britain by Nicolas Trudgian Price : £150

Front Line Hurricanes by Robert Taylor Price : £220

ARTIST
Featured Artist - Robert Taylor



The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

Battle of Britain Hurricane Signature Prints



Save £180 on this specially selected pack of Battle of Britain Hurricane aviation art prints. All four prints for £420, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Merlin Roar by Anthony Saunders,
Hurricane Patrol by Graeme Lothian,
Holding the Line - The Battle of Britain by Nicolas Trudgian
and
Front Line Hurricanes by Robert Taylor.

In all, the prints have 12 different signatures of pilots and aircrew related to Hurricanes during the Battle of Britain.

In particular, Front Line Hurricanes by Robert Taylor features 6 signatures of now sadly deceased pilots - some of them a rarity in print signings.

Click the 'Special Offer Pack' Edition to order.

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EXTRAS

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This website is owned by Cranston Fine Arts.  Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE

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